Movie Review: The Super Mario Bros Movie

 

Hey everyone, my name is Anthony and welcome to my first movie review in 2023 marathon.

Yup, its about time to do a review of movies in 2023, took me a while of waiting since my focus of movies from the past.

Anyway, last year, I reviewed Sonic The Hedgehog 2, which while it has a same problem as the first one, at least its better than the first one. After watching two Sonic movies, I’ve been waiting and wondering how’s been about the new video game movie based on Super Mario Bros, cause after all, Super Mario is everywhere since the resurrection of video game industry after the Video Game Crash of 1983. Especially as a fan of Nintendo, I’ve always wanted to see a movie based on Mario, until we have one here today.

“The Super Mario Bros Movie” is a 2023 animated adventure video game movie that was directed by Aaron Horvath and Michael Jelenic, produced by Chris Meledandri (Yup, the same producer of Sing and Puss in Boots 2) and Shigeru Miyamoto (Yup, the great creator of Nintendo franchises) and written by Matthew Fogel.

Of course if anybody may or may not know, this isn’t the first time we have a movie based on Mario. The first of which came from 1993 as “Super Mario Bros: The Movie”, which was widely considered as the worst movie based on video game how this movie barely follows from the video game, either that or maybe il reviewing it in my future.

Anyway, after we had… THAT, decades later, it appears Nintendo are opened to try again for another movie based on Mario, so Shigeru Miyamoto was looking around for distributions for the plan, he started with Sony (Huh, ironic since Nintendo betrayed Sony while making a console for SNES with CD, but I digress) to having an animated movie based on Mario, but once Sony got hacked in November of 2014 by the Korean hackers for revealing emails, that plan didn’t turned out well, so Nintendo moved to Universal. While they constructed to opened “Super Mario World” in Universal Studios (both Japan and US), Miyamoto met Chris Meledandri (the producer and the head of Illumination), they had a hesitation at first, but they finally accepted the deal for making an animated movie based on Mario, especially when we saw last year’s Nintendo Direct that has some promising, but with hesitation from the cast (don’t worry, we’ll get there).

So, with all that said, will Nintendo finally gave us a good Mario movie, or we should stay away from Mushroom Kingdom to stay as plumber?

Well, lets find out.

The Story

While I appreciated that the plot isn’t a typical damsel in distress like many times in Mario games, if the writing needs to be development.

The movie begins with a bang, where we introduce the main villain, the King Koopa known as Bowser is on the rampage in the world of Mushroom Kingdom with capturing Super Star in the Ice World. Meanwhile, we introduce our plumbing heroes, Mario and Luigi, are starting their plumbing business in Brooklyn (Huh, similar to 1993, but much better without the dinosaurs), but they had a rocky start, due to their father disapproves when they left Spike’s Wrecking Crew (oh btw, does Spike have to do with a plot? My thoughts exactly, my friends), leaving Mario having a hard time for his starting career with Luigi, but once the massive leakage from manhole occurred, Mario and Luigi going bellow to fix the issue, but not before they ended up getting sucked into a warp pipe, but they ended up separated, where Mario being transported in the main land of Mushroom Kingdom, while Luigi got into the Dark Lands. Mario meets Toad for introducing the land before meeting the ruler of main Mushroom Kingdom, Princess Peach, where Mario is in emergency to bring back his brother, but Peach is aware of Bowser’s threat, its up for Mario, Peach and Toad on their journey for the back up to save the world from Bowser’s menace.

Its a pretty standard story, but like I said, its pretty original than being a generic damsel in distress story like many, many, MANY times in Mario games, though its more like Mario tries to be trained and be stronger to save Mushroom Kingdom for Princess Peach, which I appreciate to be different for the story. However, despite the best effort to be different, but also have a major downfall, because this is a one in a half hour long movie, we barely able to have a substance of development, the same could be said for pacing. That the problems of this movie, its a short film with quick pacing that we’re unable to investing both the story, the setting (for the most part) and character developments (again, for the most part), we want to know about the world itself, along with chemistry, unless if you actually know about the world of Mushroom Kingdom like myself (or any Mario fans out there) to acknowledging it, which is disappointing that it was promising that we really wish that we want a substance of developments, even if the writing isn’t as perfect.

And as for the humor, I find some that does made me laugh, but most that they gave to me is chuckle worthy, even if I wish if there’s a video game like Mario or Nintendo references, despite there’s also some humor that are poorly age as millennium that I found one.

While the movie is suffered from the lack of development based on short length and the pacing, but the writing is ok, but at least il give a credit for having a different story than a generic damsel in distress like most of many Mario games.

The Animation

With a budget of $100M and after previous movies with accurate designs and stuff, you think the same could be said for this movie? Well, obviously yes. And this is the second time I review an animated movie by Illumination.

For starter, the location goes to similar idea from 1993, but instead of alternative world with dinosaurs, this one has both Brooklyn and the world of Mushroom Kingdoom, which again, its lot better than the 1993 one. The Brooklyn set looks much like a typical city like most of them, but to be fair, it does have some references (we’ll get there for moment). But the Mushroom Kingdom on the other hand, boy they surprisingly did pretty good work how they presented, the main Mushroom Kingdoom, while a big gimmicky that it has mushrooms, but I give a credit for the Toad’s village that its actually cute and well presented Peach’s castle. Not to mention, we do see a couple other lands they’re either from the game or even created from scratch, like the field with fire flowers, which is soo… Impressive that I wish if its in the game that Mario and his partners get the flowers easily to beat Bowser. Of course, I also enjoy the Jungle Kingdoom, while im not familiar with Donkey Kong series, but the village itself it enjoyable from its tropical theme, an arena with platforms to including karts. And I also enjoy of Bowser’s castle that it acts like a flying platform for menacing threat at Mushroom Kingdom.

As for the designs, like I said, they have to be accurate from the game, which from I understand, they easily stick to more modern design of Mario series, like say, Super Mario 3D World, and they did a nice world to be, again, similar from the game, but with a film’s budget. The character design looks pretty good for their look, despite they could be a bit off their expressions, especially with the human designs like Mario, Luigi, their family and Peach, but again, film’s budget. But, the other creature designs like Boswer, Kamek, Goombas, Koopas and others are surprisingly looking pretty good, like they look perfect for their presentation from the game, same might be said for various others like power ups and such others.

Of course, the effects are also pretty nice from the quality to power ups.

As for the work of animation, its also pretty good for realistic moves, but also some reminiscent from the game based on the poses like the running to the iconic jump pose like Mario and Luigi do, though some creature’s animations are done with either real-ish moves to sorta cartoony moves, but hey, they also do a nice work. Especially for the action scenes that they’re pretty cool to watch from Peach’s demonstration for training Mario, Mario and Luigi doing parkour for plumbing emergency in a side-scrolling style (which I appreciate for its execution to feel like a side-scrolling platform game) and even the kart racing at Jungle King with Rainbow Road, since its easily meant to giving us an action platform adventure in Mario games, and I maybe agree that the action scenes are easily the highlight of this film.

I should also pointing out the music is mixed, it started good to have a composer Brian Tyler (Yes, THE Brian Tyler, who’s done many composers from movies, video games to even sports like F1), which il give a credit for his own cover of Mario’s music, but then there’s some that are obviously using hit music like Mr. Blue Sky, Take on me, and some others. I mean its fine for kids movie, but for video game movie with hit songs, im not sure that its a good idea for including them in he movie.

Lastly, as a video gamer that I know like Mario series (or even Nintendo in general), they’re some easy Easter Eggs (Happy Easter!) from backgrounds and some references that you can see or heard, which when I saw the movie, I was easily pointing at the screen to see some familiar names and such. Although I will give a credit for the similar theme song of “Super Mario Bros Super Show” and even “DK Rap”.

While the some have flaws, but at least the presentation and the animation looks not only good, but also accurate from the Mario games, well done there.

The Characters

We all know the familiar faces in Mario series, but you think we can enjoy their portrayal in this movie, well its probably 50/50, along with some questionable casting (Oh yeah, we’ll get there right away).

Lets easily start off of Chris Pratt’s role of Mario, yeah I know, go ahead make a meme all you want how he’s our Mario, along with your hashtag “NotMyMario”, but let me explain this. When I first heard throughout this movie, I find him fine, he’s struggling main brother for his plumbing business for impressing his family, the people in Brooklyn and his beloved brother Luigi, even if its not easy how to be “Super Mario”, I find the movie’s Mario is good, which at least it tries when it comes to writing. But of course, the biggest elephant in the room is the voice of Christ Pratt, I want to be very clear by saying that, I’ve nothing against Chris Pratt, he’s great and fun actor as either Peter Quill in MCU or even Emmet from The Lego Movie, but when it comes to his role of Mario, I find his voice just didn’t match up, its just Chris Pratt being Chris Pratt with a little imitation of Mario, I know he’s born as Italian-American, but again, its just Chris Pratt as himself that didn’t match the character, its like after Ryan Reynolds as Deadpool, he voiced Detective Pikachu that he’s just being Deadpool as the iconic electric mouse in Pokemon. Again, nothing against Pratt, but his role just doesn’t match, so don’t blame him, just blame the people for casting him as our Italian-American plumber.

Now we got THAT out of the way, next up is Princes Peach (voiced by Anya Taylor-Joy), she’s easily the biggest surprisingly change in this movie, instead of being a typical damsel in distress like we’ve seen a lot, she’s a one helluva princess of Mushroom Kingdom for helping Toads, being aware of Bowser’s threat, being a mentor to our hero and a strong-willed. I like this movie’s Peach, I like she’s treated as while being sweet and mentoring, but she’s also badass in the movie, despite of one dimensional for being a mentor, but she’s still likable and Taylor-Joy did a great work of her role.

Next, we have Luigi (voiced by Charlie Day, aka Benny the spaceman from The Lego Movie), a nervous and timid brother that he wanted to be with Mario, but easily being a scaredy cat. I find him typical like we’ve seen in the games, but he’s pretty much the dude in distress, which im pretty sure it was referenced in “Super Mario 3D Land”. Despite being under-developed nervous bros, at least Charlie Day’s role of Luigi matched well, unlike what we have for Mario. I wonder if they will make a movie version of Luigi’s Mansion?

After that, we have Toad (voiced by Keegan-Michael Key), the main of the Toads and Peach’s sidekick in the journey for the first time for him. He’s easily meant to be a comedic sidekick role in the movie, I find him passable, which Key did a good work of his role of main Toad, but again, he’s an under-developed comedic sidekick that he likes to greeting and being protector to Peach.

Next up, its Donkey-Kong (voiced by Seth Rogen, aka Pumba, aka Mantis, aka Frank, aka any comedy movies he’s been), who’s a big and strong gorilla and the hero of Jungle Kingdom, I find him somewhat likable too for not just being show-off, but I find him perfectly fit for being a rival from Mario, even though I wish he could’ve give us a development how he’s everyone’s favorite in Jungle Kingdom. However, like Chris Pratt, Seth Rogen’s role is also got problem from the community, but for me personally, I have no problem, cause I think Rogen did a fun work of his role of DK, he easily made me chuckling, so I’d say his casting role of DK is probably a good pick.

And lastly, we have Bowser (voiced by Jack Black), the main antagonistic of Mario games, for his threat of destroy Mushroom Kingdom after capturing the Super Star. He’s also a memorable character in this movie, while he does a comedic side (what do you expect for Jack Black), but also being both terrifying but somewhat mean against anyone for how threatening he is for not only crushing Mushroom Kingdom, but also wanting to get Peach for, just like in the game, forcing her to marrying him. He’s both funny and one menacing King Koopa for his threat, and of course, Jack Black kicks ass for his villainous role.

As for the rest of the characters, there’s no much to say, but did have fine appearance, but some are waste of space.

There’s Cranky Kong (voiced by Fred Armisen) who’s DK’s father and the ruler of Jungle Kingdom with no non-sense attitude, Kamek (voiced by Kevin Michael Richardson) who’s Bowser’s Koopa sorcerer and advisor, Spike (voiced by Sebastian Maniscalco) who’s the boss of Wrecking Crew in his disgust of Mario Bros’ leaving, despite having no purpose for the plot), King Penguin (voiced by Khary Payton, aka Cyborg from Teen Titans) who’s the ruler of Ice Land, but being Bowser’s first victim in the opening and Lumalee (voiced by Juliet Jelanic), a blue Luma who always like its all good to die, jeez, this Luma needs help…!

Oh, you’re probably wondering about Charles Martinet that he’s actually in the movie, well, he’s out there, not gonna spoiling what he’s voicing as.

Its a shame that some characters are under-developed based on the combination of short movie length and pacing issues, at least they either got rather surprisingly different with pretty good executions, and the casting are good, but again, with the exception of Chris Pratt as Chris Pratt in Italian plumbing outfit.

And now for my final opinion of this film

Overall, The Super Mario Bros Movie is a good movie what I can say.

The presentation looks impressive and accurately, the story is standard with above average execution, the humors are chuckle worthy, some characters are great and some casting are good as well.

However, despite of its promising result, but when you made a film that its short with lack of development, questionable pacing, some mixed bag song choices (with the exception of Bowser’s singing for Peach, which is pretty good and funny to hear) and of course, Chris Pratt being unfitting as Mario. I know im kinda harsh for the latter, but again, I’ve nothing against him.

This is a difficulty thought for recommending this movie, even though there’s an excuse by saying “This is a Kids movie!”, but hate to say, I maybe agree that this definitely a movie gear towards kids if they wanna trying out Mario series. But its not just a movie for kids, but I think its also gearing towards both video game fans and Mario fans like myself included. If you’re morbidly curious for second take of Mario from the same company that gave us Minions or if you’re a fan of Mario or Nintendo, this one is for you.

For my rating, im giving it a 7/10. Its good, but I wish it would’ve been a best movie based on video, but il give a credit what they’re trying.

So this ends of my movie review, if you guys have your opinion or any suggestions, let me know at comment bellow and support me on KO-FI.com/blackevil.

Thanks for reading, and im Anthony, signing out

Movie Review: Ghost in the Shell 1995

 

Hey everyone, my name is Anthony and welcome back to my Movie Review.

Back in 2017, i've talked about the remake one that was directed by Rupert Sanders and it starred Scarlett Johansson as Major Kusanagi. Oh im sorry, i mean Major "Mira Killian", its as if they wanna mind-F***ing the fans for her identity crisis. Anyway, while the movie is pretty cool for its action and its visual, but we can all agree that the plot is confusing and the some new elements isn't helping for the remake. Aside from the tiresome "Whitewashing" excuses when Major is a freakin cybernetic human!! (Sorry, im getting ahead of myself...)

Anyway, after nearly five years, i think its time to take a look at one i should've done... Looking at the original.

The first "Ghost in the Shell" is a 1995 anime cyberpunk movie that was directed by Mamoru Oshii, produced by Yoshimasa Mizuo, Ken Matsumoto, Ken Iyadomi and Mitsuhisa Ishikawa, then written by Kazunori Itō.

As i said in my remake review, this film was adapted from the manga with the same name by Masamune Shirow, in fact, this manga got some much attention when it first came out, its no secret to be an adaptation to an anime show. But as we all know, they decided to going into the movie, which it explained by Mamoru Oshii got so much attention from the manga based on its story and the setting. And when the movie came out, the film was well-received from critics and audience, based on the narrative, the action and even the visual between cel and CGI. But of course, since it became popular, they wanted to making it into a franchise with shows like "Stand Alone Complex", a sequel "Ghost in the Shell 2: Innocence" and the aforementioned live-action remake that i covered before. And not to mention, it became an inspiration of many directors like The Wachowskis's The Matrix.

Just to heads up, im watched the Japanese language with English subtitle, and im watching the original version, which yes, im aware that there’s an updated version called “Ghost in the shell 2.0”, by looking at the updated, in the words of Josh Scorcher: You went “Star Wars Special Edition”, never go “Star Wars Special Edition”. Like, just stick to the original for an unnecessary changing quality that looked... Questionably dumb...!

So, with all that said, will this movie will bring justice against cyber-terrorist, or is this movie made me going brainwash by The Puppet Master?

Well, lets find out.

The Story

Even though its  based on manga, im not gonna do a comparison between of two, but, the story is quite fascinating for narrative, even if its complex.

In the near future year of 2029 (Huh, 6 years in between, as im writing this), where the world  is living with advanced cybernetic technology,  including human bodies are  either augmented or replacing with cybernetic parts, along with cyberbrain are created after the human brain for connecting both the internet and various network (As in the brain as “Ghost” and the body as “Shell”). Anyway, we introduce our main protagonist named Motoko Kusanagi, the major  of the assault-team of “Public Security Section 9” in “New Port City” in Japan. After her first mission from the request of Section 6’s Chief Nakamura for assassinating  a foreign diplomat to preventing a  defection from a programmer Daita, they heard about the mysterious hacker who goes by the name of “Puppet Master”  where his goal is brainwashing people’s brain for his will to taking over, its up to Major Kusanagi, Batou and Togusa on their search to eliminating Puppet Master once and for all.

Its a pretty standard story involving the security team on their search to find the hacker for brainwashing people for his will in not-so far future, but the idea and the setting that are pretty good and nicely fit how even though the future looks pretty impressive, but its nowhere safe when we have an antagonistic hacker out there. However, the biggest part of the movie’s writing is the narrative, it explains how we live in the future with self-identity in the futuristic world we living, its as if it tells us how we’re connected with advanced technology in the new level, showing not all cybernetic people may or may not as strong we live, we have feelings in cyborg’s body from a cyberbrain being  created after the human brain from the human’s passing.  I gotta say, its pretty impressive how they explained what we’re living and feel in the future, even if it gets too complex with various parts and such, since its not just the focus of action, its the focus of a dialogue for, again, giving us a philosophy in future what we live in the future or heck the villain’s motivation like Puppet Master.

While it explanation got  complex at the time, but we’ll get use to understanding, since the writing is pretty good, while the story is standard, but the pretty good for its execution.

The Animation

For a movie’s budget of 330 million yen (which is about more than $2.48 Million), the animation  looks impressive as i said before, this is thanks for the work of Production I.G. for their third anime movie after Patlabor 2: the movie in 1993 and their first called The Weathering Continent in 1992.

For started the background setting of this movie takes place are pretty good, the futuristic city looks impressive, even if  the future city may look like we’re getting down, flashier and colorful. But then you have the other side that you have the old and poor small town, which it nice inclusion that not everything is 100% futuristic, which is probably explained that they still have cars  with wheels (but with some advanced technology that we have today, such as communicating outside of the car, except we using Bluetooth than connecting from our neck) and guns with bullets. Huh, not futuristic enough for their weaponry, but i digress.

As for the animation with effects, they use a novel process what’s called “Digital Generation Animation”, or “DGA” for short, which it uses for combination both traditional animation and CG animation with audio entering as “digital data”, which they believe that DGA is gonna be the future of  animation process for mixing together both hand-drawn and CG, and i gotta say, they’re right, cause what they did is impressive looking for 1995. The character designs are pretty cool that ranging from standard anime character designs to sorta realistic human look with a twist of cybernetic like the aforementioned connecting from the neck for communication to my personal favorite, spreading fingers to multiple fingers for keyboards, man i wish i have those kind of hands to write on the keyboards easily, only  problem is we’re gonna wait for next decade for getting amputated and replacing with advanced prosthetic hands to a new level.

Anyway, the effects are also pretty good to show with gunshots, the creation of Motoko Kusanagi with its beautiful 90’s quality to digital view for CG, again, pretty impressive for mid-90s.

As for the action scenes, they’re pretty cool and fun to see car chase, running chase with guns and even a fighting scene with unique ways, like when Major Kusanagi uses camouflage (with  the use of TIMA Software) to fight over one bad guy or a mecha-tank.

Oh yeah, did i mention this movie has some bloody violence and female’s body revealing? Yeah, definitely explained why its for mature audience to see cybernetic violence and full skin revealing.

The movie’s presentation of the animation, the quality and the action are impressive to see in its 90’s glory, for the most part, but still, looks pretty good.

The Characters

When it comes to the movie’s characters, there’s not a lot, but, it has some likeable ones in this movie.

Lets easily start off with Major Motoko Kusanagi (voiced by  Atsuko Tanaka), the main protagonist and the leader of Section 9  and quite strong and smart for her set of skills and knowledge. Which is exactly like she gave a philosophical dialogue what she gave us is pretty fascinating, especially how she explained about her ghost from the past. Unlike most cyborgs that are pretty much emotionless, Kusanagi has acknowledge  with aforementioned philosophical dialogue, strong-will and somewhat stronger for her strategy. Which is fascinating what makes Kusanagi a memorable protagonist  and Tanaka did a nice work of her role.

Next, we have Batou (voiced Akio Otsuka), the second-in-command of Section 9 and Kusanagi’s partner. He’s quite opposite from Major Kusanagi, while he’s both  lead investigator and the fighter of Section 9, he’s also meant to be a serious comic relief, based on his “don’t give a crap” personality that he’s not in a mood of messing around, but he does has a respect to Kusanagi, which is also exactly that he’s also a likeable character based on his personality and his chemistry with Motoko, and Akio did pretty good work of his role too.

After that, we have  Togusa (voiced by Koichi Yamadera), the second lead investigator of Section 9  and the one and only human member of the group. Unlike Kusanagi and Batou, he may not have experience of military, but more like a police civilian as a human family man. I find him ok, he may not have something special compare to first two leads, and Koichi did a nice work as always.

And finally we have the Puppet Master (voiced by Iemasa Kayumi), the main antagonist and the mysterious evil hacker being for manipulating at any shells (aka hacking the bodies without knowledge). I find it to be fascinating villain for its manipulation in attempt to screwing over both Section 9 and 6, as well as having a unique plot twist (which we’ll get there). Though its odd to hear Puppet Master’s voice is male at the female’s body, but i didn’t mind for the oddity that it has a nice performance from Kayumi for his monologue of it’s threat.

As for the rest of the characters, there’s not much else to give us.

There’s Chief Aramaki (voiced by Tamio Oki) is the lead chief of Section 9, Chief Nakamura (voiced by Tessho Genda) is the  chief of Section 6 and Ishikawa (voiced by Yutaka Nakano) who’s also a lead investigator, but also technology specialist.

SPOILER ALERT for those who haven’t seen the movie or don’t mind

The final act is plenty of complex, but does got interesting about the truth.

After caught a damaged female body from being ran over by a truck (typical anime, getting in fronted by a truck), they trying to study the shell about the ghost based on whereabouts of “Project 2501” and researching about Puppet Master, after a further research of Chief Aramaki, it turns out Section 6 created Puppet Master for political reason, and the Puppet Master isn’t even a mysterious hacker, but rather a rogue advanced A.I. as “Project 2501” that Section attempted to using firewall against him, but  it escaped before to possessing one before before the aforementioned hit by a truck, which Puppet Master  is demanding for the asylum as a sentient creature due to self-preserving program, which causing a battle between Section 9 and 6. Meanhwile, Major Kusanagi  is on the chase at one car with a shell to the abandoned building, only to be confronted by a spider mecha tank, which is gonna be too challenging for her desperate to defeat the spider mecha tank that has Puppet Master’s ghost, she took a risky move by attempting  rip open the tank, but she ended up rip and tearing herself up, thankfully, Batou shows up in a right time to stop the mecha tank to saving damaged Kusanagi. After the battle, he helps her to connecting with Puppet Master for the truth.  As the Puppet Master explained, as i said before, it is said that it was created by Section 6, but it ended up became sentient and contemplating its existence that it goes to essence the life of reproduction and morality, by wanting to going into a physical brain to death, but again, got firewall’d by Section 6, desperate to break free, it downloaded itself into the shell in Scott-free. After believing to questioning humanity to Kusanagi (with a lot of common), it also wanting to merging with ghosts, she accepting to putting her ghost on the line with rogue A.I.. That is until a Section 6’s sniper brought in to shot down Puppet Master’s ghost and even Kusanagi, but she was thankfully saved by Batou. After its all done, Kusanagi wakes up in a new body after her original body and Puppet Master got combined, according to Batou. In the end, she’ll see him and Section 9 again for the next journey and the next mission.

Man, pretty complex about the ending, but pretty nice for the final action and saving Kusanagi without getting merging up with a rogue A.I., otherwise it could’ve been worse for her fate after dealing with spider mecha tank. Aw well.

And now for my final opinion of this movie

Overall, 1995’s Ghost in the Shell is a pretty impressive anime movie in a complex way.

The story is nicely written, along with philosophical element between machines and humanity, the action scenes are pretty good, characters are fascinating and some likeable and the anime’s presentation looks pretty nice for mid-90s.

While like i said, it sometimes got a bit to complex for the philosophical, but i understand what they try to give us some messages. And do i think its a better film the live-action remake after i covered a years ago? Yes, i definitely think so, which is something i should’ve done in the first place.

But, if you’re curious about the movie or the whole series of Ghost in the Shell, check the first movie, im sure you won’t disappointed, but like i said at the beginning, stick to the original version than the “2.0” version nor even the unnecessary remake one.

For my rating, im gonna give this one a 9/10, with earning the Trophy of Success.

So this ends of my movie review, if you guys have your opinion or any suggestions, let me know at comment bellow and support me on KO-FI.com/blackevil.

Thanks for reading, and im Anthony, signing out.

Movie Review: Puss in Boots: The Last Wish

 

Hey everyone, my name is Anthony and welcome back to my movie review.

Last year, I covered “The Bad Guy” that, while I like this movie for new animation level and lovable characters, despite the writing couldn’t avoiding from obvious clichés. Despite some flaws, its a pretty good film that many people considered it as first part of Dreamworks’ redemption, it wasn’t until we have the second one that came out at the near end of 2022 in today’s review.

“Puss in Boots: The Last Wish” is a 2022 CG animated adventure film that was directed by Joel Crawford, produced by Mark Swift and written by Paul Fisher (for screenplay), Tommy Swerdlow (both screenplay and story) and Tom Wheeler (for story).

Even though I haven’t seen Puss’s first movie (maybe il review it in my future), the idea came from Guillermo Del Toro shared the plan a sequel plan to Puss and Boots’ director Chris Miller back in 2012, with various drafts for what the sequel is about, but it ended up in Development Hell, it wasn’t until the big boss of Illumination named Chris Meledandri came in for their help of this sequel, along with long-development Shrek 5 as the executive producer and Bob Perschetti is going to be the director, but ultimately replaced by Joel Crawford after done with The Croods: A New Age, which when I first heard of it, I wasn’t as sure since we pretty much moving on from Shrek, or maybe give Shrek’s series a second chance.

But when it was eventually released on December 21 2022, it was considered a welcome return in Shrek’s universe and some easily saying its a big improvement over Puss’s first movie, as well as huge hit at the box-office that, as im writing this, it earned more than $297.5M over $90M’s budget. Even though I never seen it at theater, but they decided to released the movie digitally around the theater’s release, so I got this movie on digital.

So, with all that said, will Puss gives us a welcome return, or maybe nine lives will be his last straw?

Well, lets find out.

The Story

While it has a funny tone of this movie, but it also having a drama with a heart for a the return of Puss.

It begins where we meet our familiar swashbuckling fugitive cat with his boots named… Well “Puss in Boots”, who’s hosting a party in Governor's house, while Governor isn’t happy for his involvement, but Puss accidentally going over-partying to waking up the Sleeping Giant. Despite he eventually beat the giant to keep the village safe, but not before he got crushed by a bell. But later on, he woke up from the hospital, while checking by a doctor for what’s happening, we found out that Puss lives with nine lives, but without realizing that he died eight times that he’s on his final life, but Puss doesn’t seem to care that he’s always a legendary hero, but not before once he’s in cantina (aka the bar), he first meet a dark hooded wolf to daring him to fight for death, which Puss is easily feared from him that not only he ran off, but also wanting to retire to be in Mama Luna’s house, it wasn’t until not only he meets dog (who later named Perrito), he’s targeted by Goldi with three bears bounty hunting, not before Puss hears their goal for finding a Wishing Star, which got himself intention to his new journey, its up to Puss, along with partnering up Perrito and reuniting his ex Kitty Softpaws to finding the Wishing Star without getting involved from Goldie and the bears, a daring blood-thirsty Wolf and a giant pastry chef and crime lord Jack Horner once and for all without dying his last life.

While its a simple story about a journey, but instead of finding a treasure (or should I say, getting a Golden Egg from Puss’s first movie, which again, I never seen it, yet), this one is all about struggling to survive in a last life to finding a Wishing Star in order save himself, which is exactly this one is all about a character driven of survival after what happened of his previous lives that he died. In other words, its all about facing his mortality to live to get the wish without putting his life on the line, otherwise, without him, legend will coming to at end. Its a pretty thought-provoking story development how instead of making nine lives as a typical superstition or a joke, it almost like treating it seriously to add some dark and even a heart for this movie that we want to invest our favorite outlaw hero keep himself alive to save his life without putting the end of his legend that we all know. Though the downside is that having three villains could be a bit of flaws, but at least they have their purpose for either wishing or even trying to killing Puss’s last life, which the same wouldn’t be said for Spider-Man 3, but I digress. Of course, since is the spin-off of Shrek that we all know, it obviously needs to have a comedy, and I gotta say, those jokes are actually pretty funny, even though its not perfect, but at least its a laugh worthy, yes, like Shrek, it has plenty of Fairy Tale references, but not in a satire purpose, but its a nice add a reference, while its a laugh worthy, but then again, its not as perfect as two Shrek movies.

While it has a good jokes, but its more about a story driven for Puss’s survival with mortality without risking himself, which it makes it a pretty good story telling, not just for humor, but also add some sad and heartwarming tone in this sequel.

The Animation

Sweet Christmas of uniqueness, this one is a big change since my review of The Bad Guys! Sorry for getting too excited, but il give a big credit for their new movement of their animation.

Anyway, while the background design is pretty typical in the world of Fairy tale, but it has its creativity and some imagination how its build, especially with some creative setting like Jack Horner’s factory and even the Dark Forest, which it acts like some kind of pocket dimension with various obstacles and such others.

As for the design, they’re looking pretty fascinating and even keep the respect for a familiar design like Puss himself and Kitty Softpaws from Puss’s first movie, while some others are also pretty good and creative, rather than doing a not-so-realistic look back then, this one goes like a mix between saturation to comic painting style. Not to mention, unlike Dreamworks previous films back that are either tame or swampy (no pun attended), here its both bright, colorful and vibrant, which I enjoy for the quality.

Speaking on both, the biggest highlight of this movie its the animation. Which at first, it makes you thinking “Wait a minute, did they really copying the animation style from Sony Pictures Animation like Spider-Man into the Spider-Verse?”, well it may sounds like it. Remember when I mentioned that the director role was supposed to be Bob Perschetti? It turns out he’s the co-director of Spider-Man into the Spider-Verse, hence their original idea for involvement, but like I said, Bob bowed out and replaced by Joel Crawford, it sucks for not having the same co-director of Spider-Verse, but il give their credit for their inspiration, ranging from the effect of comic filter to a similar animation frame-by-frame from Spider-Verse whenever there’s the action scenes from sword fight to massive blow like Puss vs Sleeping Giant.

The animation of this movie is outstanding for bright and colorful, action impact and well done design to feel like a concept drawing to life than a not-so-realism look design.

The Characters

While I know Puss since I watched Shrek 2 since my childhood, though I didn’t know about Kitty Softpaws in Puss’s first movie, but when it comes to the characters in this movie while it has some nice new ones, but some have mixed result.

Lets starts with the title character, Puss in Boots (voiced by Antonio Banderas since Shrek 2), back then, he’s a calm swashbuckling outlaw cat for journey on either his own or even with Shrek and Donkey, to prove them wrong how power acrobatic he is with his Zorro-like sword fight style (The latter was a purpose inspiration when Banderas played as Zorro in The Mask of Zorro) and his respectful honor, in a cute level way. Here however, while sorta remains the same, but he acts like a superstar for his legend at first, but wanted to be a bit more attention, when he life is on the line after died 8 times, which he eventually changed to realizing in hesitation that his life is on the line, no longer invincible what he used to, fearing that if he’s in the last life, his legendary name is no more. Quite of nice change, even if he maybe exaggerated, but il give a credit how he was written to a concerning character that his life is at risk, and of course, Banderas is always did a fun work of his role.

Next we have Kitty Softpaws (voiced by Salma Hayek Pinault) the street-savvy ex-girlfriend since she first met Puss from the past before their unlikely reunion. Like I always said, I never seen Puss in Boots’ movie when she first met that I know she’s meant to be love interesting before Puss left her to traveling Far Far Away. Here, with Puss reunion, it wasn’t a good start when it comes to Puss’s last life and Kitty finding wish if anyone can trust her. I find her not bad and rather cute in the movie, even if it wasn’t easy from Kitty nearly going full on anti-hero, while Puss loves being a hero without realization. But, Salma did a nice work of her role.

Now lets get to the new characters in the movie.

First is Perrito (voiced by Harvey Guillén), a friendly and naive dog that he’s obviously made for being a comedic role. I find him average, sure I did laugh at some of his jokes, despite he’s meant to helping Puss and Kitty to be together. I appreciate for his motive to our heroes, but the downside is that he’s obviously meant to be like Donkey, but for Eddie Murphy’s Donkey, he’s not nowhere perfectly funny as Shrek’s unlikely sidekick, I mean, I know it wasn’t Harvey’s fault, he did a nice and maybe funny of his role, but its just the way he’s meant to be the doggy version of Donkey, he’s just nowhere better as Shrek’s Ass.

Finally, there are, not one, not two, but three villains with different motives, even though I wasn’t as sure at first, but they’re pretty fascinating and probably better than three(?) villains Spider-Man 3 (the one I reviewed before).

Lets starts with Goldilocks (voiced by Florence Pugh) and her three bears crime family with Baby Bear (voiced by Samson Kayo), Mama Bear (voiced by Olivia Colman) and Papa Bear (voiced by Ray Winston). These guys are obviously mention the plot convenience for the Wishing star to our hero, despite they’re not only for Wishing Star, but also for hunting down Puss. However, their motives is to get the wishing what Goldi cared so much about one thing, adoptive family like the bears, which instead of being scared in a classic story, she wants to be together with them, because she cared about them so much since her childhood (Well at least they have a heart), but the bears, while they also have a heart, they also have some funny moments. And yes, I know they’re pretty different compare when they used to in Shrek back then, but they have an improvement change.

Next we have “Big” Jack Horner (voiced by John Mulaney), the factory pastry owner and crime lord who’s full of himself, mainly getting magic from his wish for… You know, boosting his ego. I find him an ok villain, even though I may not familiar over Jack Horner for licking thumb from chunk of pie, but its pretty fascinating he has a magic bag of collecting many of fairy tale weapons. While he’s a big fat egotistic pastry owner, Mulaney did a fine work of his role.

And the last one that I saved the best is none other than the Big, Bad, Wolf (voiced by Wagner Moura), this guy is the more devious, daring and the most blood thirsty hunter we’ve ever seen with white fur covered from his outfit, a bloody eyes and carrying double-bladed glaive, he’s easily disturbed me how how horrifying and scary he is for his weapon and is fearing whisper whenever he shows up at Puss’s biggest fear. And he also have a plot revealing for who he is, but im not gonna spoil it, because he’s too good to be a deadly villain for being a scary bounty hunter over Puss and Moura did a pretty good work of his role.

There are few characters left in the cast, but I decided to skip ahead to the end. But, interesting note, it also has some Easter Eggs characters, im sure some of you can recognized some scenes, eh?

While some are flawed that didn’t match as before, but the characters has a nice change, well-written, fun and nice work of their roles, along with welcome return like Banderas.

And now for my final opinion of this film

Overall, Puss in Boots: The Last Wish is easily one of Dreamworks’s best film in modern era, while it has one flaw like one bellow average character, but its all thanks to nice updated animation for inspired from Sony’s animated Spider-Man movie, a well-written story for mix of comedy and emotion and the returning characters and the new ones are pretty good to invest.

While I like The Bad Guys, but I think Puss in Boots’ sequel is probably better than before for its welcome return of Shrek series, like maybe this one might as well be on Number 2 or 3 in my top list of best movie of the year 2022. This is definitely a must watch film (maybe along with The Bad Guys), since again, 2022 was Dreamworks’ best comeback for their bigger and better films then what they used to in 2010s.

For my rating, im gonna giving it a near perfect 9/10, along with earning Trophy of Success for Dreamworks’ best comeback.

So this ends of my movie review, if you guys have your opinion or any suggestions, let me know at comment bellow and support me on KO-FI.com/blackevil.

Thanks for reading, and im Anthony, signing out